Given that it is Easter week and the 95th anniversary of the Easter Rebellion of 1916, it would seem ideal to take the opportunity to review a film with an Irish connection. The last such film we examined was John Ford's The Informer, which takes a romanticised look at the Irish rebellion. Today's flick of the day is an altogether more modern affair, Ron Howard's Far and Away
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Starring Tom Cruise and Nicole Kidman, then very much at the height of their powers, Far and Away is an epic tale of romance and adventure in 1890's Ireland and America. At the film's open, we are given a brief outline of the struggles of Ireland's masses against the powerful Landlords that control their country before being introduced to Joseph Donnelly, played by Cruise sporting an Irish accent that is not awful but uneven, sounding as if he is from Ulster, Munster, Connacht and Leinster in the space of a few lines of dialogue. However, that said his performance is quite restrained and doesn't play to any stereotype too much. After Joseph's father dies and his home is burnt by his Landlord for non payment of rent, he vows revenge. He makes his way to the Estate of the Landlord, Daniel Christie, on the back of a donkey and with a rusty rifle in hand. Christie is played with wit and charm by the legendary Robert Prosky of Hill Street Blues
fame. As he hides in the stables with the intention of murdering Christie, he is discovered by his daughter Shannon, played by Kidman. After a series of events, the two end up running away together, taking passage on a ship bound for America. Shannon is motivated by a wish to break free from her parents and Joseph by the prospect of owning his own land. Suffice as to all does not go according to plan on their arrival in Boston. Shannon is robbed of her wealth and forced to live with Joseph in a doss house, under the thumb of a Tammany Hall style Ward Boss played by Colm Meaney. After a series of trials and tribulations, including a bare knuckle boxing career for Joseph, the film climaxes with the Oklahoma Land Race of 1893.
is an epic tale of romance and adventure in 1890's Ireland and America. At the film's open, we are given a brief outline of the struggles of Ireland's masses against the powerful Landlords that control their country before being introduced to Joseph Donnelly, played by Cruise sporting an Irish accent that is not awful but uneven, sounding as if he is from Ulster, Munster, Connacht and Leinster in the space of a few lines of dialogue. However, that said his performance is quite restrained and doesn't play to any stereotype too much. After Joseph's father dies and his home is burnt by his Landlord for non payment of rent, he vows revenge. He makes his way to the Estate of the Landlord, Daniel Christie, on the back of a donkey and with a rusty rifle in hand. Christie is played with wit and charm by the legendary Robert Prosky of Hill Street Blues fame. As he hides in the stables with the intention of murdering Christie, he is discovered by his daughter Shannon, played by Kidman. After a series of events, the two end up running away together, taking passage on a ship bound for America. Shannon is motivated by a wish to break free from her parents and Joseph by the prospect of owning his own land. Suffice as to all does not go according to plan on their arrival in Boston. Shannon is robbed of her wealth and forced to live with Joseph in a doss house, under the thumb of a Tammany Hall style Ward Boss played by Colm Meaney. After a series of trials and tribulations, including a bare knuckle boxing career for Joseph, the film climaxes with the Oklahoma Land Race of 1893.
The best compliment that can be paid this film is that it is at times visually stunning. It is probably the last film to be shot in 70mm Super Panavision and this gives the photography and epic grandeur. The land race is a highlight, using a huge amount of extras and shot with a wide focus, it is a spectacle to behold. It is a shame that the use of 70mm never really took off for it gives films the kind of stunning visual quality that television can never deliver. That said, key sequences of Christopher Nolan's Inception
were shot in 70mm so hopefully it might tempt other film-makers to make use of this format. The film is stylish throughout with location shooting in Ireland and lavish period sets throughout, the film's strongest suit is its visuals.
were shot in 70mm so hopefully it might tempt other film-makers to make use of this format. The film is stylish throughout with location shooting in Ireland and lavish period sets throughout, the film's strongest suit is its visuals.
That said, the script is not without its moments, dramatic in tone but with some fine humorous scenes and interplay particularly between Shannon and Joseph.
Joseph Donnelly: [about Grace] Grace isn't a tramp. She's a dancer in the Burley-cue.
Shannon Christie: That's not dancing. That's kicking her knickers up. I suspect if you asked her to, she'd kick her knickers off.
Joseph Donnelly: Oh, maybe she would.
Shannon Christie: Has she?
Joseph Donnelly: Let me see... I'm trying to remember.
Shannon Christie: Well, think hard! If there's any brains left in your head!
Kidman and Cruise are fine in their respective roles and aided by a fine supporting cast led by Colm Meaney carry the film to its natural conclusion. As mentioned previously, the accents are none too heinous which is always key in any Irish role. It helps that they were a couple while making this film as there is obvious chemistry between the two which no doubt helps the film's romantic subplot.
All in all, a worthy addition to the canon of the Irish themed cinema. Visually enjoyable and a decent snapshot of the immigrant experience in America in the 1890's. Cruise and Kidman are strong and the tale is compelling enough to carry the audience through to the end. Well worth a look.
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