Flick of The Day: Barney's Version

Last week we reviewed Sideways starring Paul Giamatti, which was an adaptation of a 2004 novel by Rex Pickett. Today's flick of the day is another Giamatti film and another literary adaptation, Barney's Version. Based on the celebrated work by Canadian author Mordechai Richler, it is a story of some breadth and humour.

Barney's Version

Giamatti is Barney Panofsky, a Canadian Jew who is recounting his life story to us in flashbacks as his mind falters in old age. It begins as a young man in Rome in the '70s where he hangs out with a loose group of arty intellectual friends while he works as a salesman. We see his doomed first marriage to the mentally unstable Clara, his return to Montreal to become a low rent TV producer and his equally unstable second marriage to the bitchy princess referred to only as The Second Wife and played ably by Minnie Driver. He has the misfortune of meeting and falling for the love of his life Miriam at his marriage ceremony. As he extricates himself and pursues Miriam, he is accused of the murder of his best friend who goes missing though there is no evidence of this. Throughout all this his endearing working class father Izzy, played by Dustin Hoffman stands by him and is always there to offer sound advice. As we see Barney in old age, his good humour and a life well lived carry the film through.

The dry humour of Richler's novel really shines through as the film takes a satirical look at Montreal's Jewish community. In Giamatti, they have the perfect actor to play Barney. With anyone else, Barney could come across as a bit of a depressive and Giamatti really drags the life of the character to the fore, something important in a biographical tale. Barney is passionate in his pursuit of Miriam and loves her to the very end, he enjoys a fine cigar and a drop of whiskey and is religious about the ups and downs of his favourite ice hockey team.

Barney Panofsky: ...and I'm just gonna keep talking here, 'cause I'm afraid that if I stop there's gonna be a pause or a break and you're gonna say 'It's getting late' or 'I should get going', and I'm not ready for that to happen. I don't want that to happen. Ever.  
 [they pause]  
 Miriam: There it was. The pause. 
 Barney Panofsky: Yeah.  
 Miriam: I'm still here.

The film is a love story and a life story and as Barney moves from the vitality of his youth to the complacency of middle age and ultimately his mental decline, the film becomes less humorous and more sentimental. This is not meant as a criticism however as it never wallows in it and yes when Barney's end comes, it is sad and a downbeat ending but ultimately the message comes through that Barney gave life his all and enjoyed himself.. This is a powerful lesson and a satisfying ending.

Miriam: We can be friends now, can't we?  

 Barney Panofsky: No. We can't.  

 Miriam: I'm here for you if you'll let me. We had a beautiful marriage, but it's over. I want you to be at peace with that.  

 Barney Panofsky: Have I ever given up when it comes to you?  

 Miriam: Never.  

 Barney Panofsky: So what makes you think I would start now?

In the end, this is a very good film and a worthy adaptation. Giamatti dominates the picture and quite rightly won a Golden Globe for his performance. Dustin Hoffman deserves plaudits for his down to earth portrayal of Izzy. Funny, poignant and true, this is as good a story as you will see all year. Giamatti's performance is such that you can't but fall for him and care about the decisions he makes, genuinely hoping for the best. That is film-making.

Flick of The Day: Forrest Gump

Cinema has always had the power to divide people, from the silent era race baiting of D.W Griffith's The Birth of a Nation to the propaganda film's of Leni Fiefenstahl. In the modern era, there is often a divide between critics and audiences in terms of the relative worth of a film. As the box office success of the Fast and Furious saga attests, critical derision is no barrier to financial reward. Today's flick of the day, Forrest Gump, is a divisive film in its own way. Very much the Marmite of 90's Oscar Winners, you either feel is a banal pop culture confection or a technically brilliant ode to the 20th Century. 

Forrest Gump (Two-Disc Special Collector's Edition)

Forrest Gump is a man of limited intellect who achieves more in an eventful life then more worldly individuals could dream of, the film acts as his life story. Tom Hanks deservedly won an Oscar for a compelling performance. Opening with his childhood in small town Alabama, from the cruelty of his fellow schoolchildren to the travails of his childhood sweetheart, Jenny, played by Robin Wright, the film moves along at a cracking pace. Through the wonders of technology, Forrest is inserted into news footage of the day as his life crosses paths with important figures from 20th Century history like JFK, John Lennon and events like Watergate and Vietnam. It is some life, without an inkling of effort Forrest becomes a College football star,  a Vietnam war hero, speaks at an anti-war rally at the Washington Monument, defeats the Chinese at table tennis, and finally opens a profitable shrimping business before deciding to run back and forth across the country for several years.

The real genius of the film is it's nostalgia for the latter half of the last century. There is not an important event in recent American history which Forrest doesn't in some way come across, and the film is carried along by a great soundtrack of the era. From Elvis Presley in his youth, to the classic sixties sounds of The Doors, CCR, et al and the late seventies work of Fleetwood Mac and the disco era. It often feels like a really long episode of Reeling in the Years. This is not to denigrate it, for its enjoyable ride but it does feel a bit too rose tinted at times, driven along by the various philosophies by which Forrest lives his life.

My momma always said, "Life was like a box of chocolates. You never know what you're gonna get."

Perhaps as the antithesis of his care free life is the hard living endured by his childhood sweetheart Jenny. Everywhere Forrest lands on his feet, Jenny trips up. After a sexually abusive childhood, and a lifetime of being treated badly by lovers, employers and educators, she falls into the various drug crazes of the era. There is a theory in fact that the film is perhaps the most overtly right wing piece of mainstream cinema ever produced. The care free spirit and folk musician, leads a life of dissolution and succumbs to the AIDS virus, while the war hero, chaste living southerner becomes a millionaire. Draw your own conclusions.

All in all, this is a technically brilliant piece of film-making, with an enjoyable storyline that you can't help but be enchanted by, in my opinion. Led by a fine turn from Hanks, there is some great supporting work from Robin Wright and Gary Sinise. An enjoyable film that won 6 Oscars on its release in 1994, it is well worth a second look.