“In life, it’s not
men that count, it’s the man.”
It is with sadness this morning
that I awoke to news of the death of James Gandolfini at the age of 51 of a
suspected heart attack while holidaying in Rome with his son. It is far too
young an age to bid farewell to anyone but particularly for somebody who
brought such talent into the world and through the entertainment he provided
made the everyday lives of millions around the world just that little sweeter.
He was a peerless talent and one who’s passing will long be lamented.
Mr Gandolfini was born into a
working class New Jersey family in 1961. His father was an Itailian immigrant
who had a number of jobs including bricklayer and stone mason while his mother
was a cafeteria chef. He was not
somebody born to be an actor and indeed worked as bartender and a nightclub
manager before he was introduced to acting at the age of 25 by a friend who
took him to an acting class. His talent and hard work was such that he soon
began to build a career as a character actor making his Broadway début in a
1992 revival of Tennessee Williams classic A Street Car Named Desire.
Like so many men of his stature and ethnicity, it was as playing Italian-American tough guys that Gandolfini first found fame. He brought a brutal charm to the role of Virgil, a Mafia hit man in Tony Scott’s 1993 film True Romance, based on a script by Quentin Tarantino. From there he built a steady career as a character actor playing in small roles in big Hollywood pictures like Crimson Tide, Get Shorty and Night Falls on Manhattan. He was however still largely an unknown when in 1999 David Chase cast him to star in his new HBO Mafia-themed family drama The Sopranos as Tony Soprano. He said of the role in 2001:
“I thought it was a wonderful script…But I thought they would hire
someone a little more debonair, shall we say, a little more appealing to the
eye.”
It was a role that made him
famous across the globe and offered him the chance to bring his great acting
talent to bear on a character worthy of it.
To me, what made his performance so compelling was that he made Tony endearing
even lovable at times but yet never compromised on the fact that he was a hard
man, a gangster who could be brutally violent and display little remorse
afterward. The Sopranos went on to change how people viewed television, pushing
the limits of what was thought possible.
By all accounts Gandolfini was a lovely man in person but yet he seemed
to inhabit the role of Tony completely on the screen. If you have yet to see
it, take the time. Across six series The Sopranos brings the viewer on a journey
through an epic saga of family, loyalty and the corruptive power of crime.
For James Gandolfini, The
Sopranos brought him fame, wealth but above all recognition of his talent. For
me his performance will remain as one of the best I’ve ever seen for many years
to come. It was not however the limit of his talents. In the years since that
final cut to black brought an end to the series and perhaps Tony Soprano
himself, he has taken on a wide variety of roles to great acclaim. He was a
profane and irritable armchair General in the British satire In the Loop and
the voice of Carol in the big screen adaptation of Maurice Sendak’s classic
children’s book Where the Wild Things Are. He played a damaged and grieving man
opposite Kristen Stewart in the much underappreciated Welcome to the Rileys.
He was nominated for a Tony award
for his performance as an angry parent in the Broadway drama God of Carnage
opposite Jeff Daniels who said this morning:
“If Broadway has a version of a guy you want in your foxhole, Jim Gandolfini
was mine. During our time together in 'God of Carnage,' we played 320
performances together. He didn't miss one. Sadly, I now miss him like a
brother.”
Last year he delivered an
entertaining turns as the CIA Director in Katherine Bigelow’s account of the
decade long hunt for Osama Bin Laden, Zero Dark Thirty. It was a different type
of role and hinted at the imposing gravitas he now brought to his performances
as he aged. He continued to work with HBO,
producing a number of documentaries for the channel including Alive Day
Memories: Home From Iraq and was next to be seen on a new drama series called
Criminal Justice.
He is survived by his wife and
two children. I leave the final words to Sopranos creator David Chase and I
include my favourite scene from the show below.
“He was a genius. Anyone who saw him even in the smallest of his
performances knows that. He is one of the greatest actors of this or any time.
A great deal of that genius resided in those sad eyes. He was my partner… He
was my brother in ways I can't explain and never will be able to explain."
