Flick of The Day: Barney's Version

Last week we reviewed Sideways starring Paul Giamatti, which was an adaptation of a 2004 novel by Rex Pickett. Today's flick of the day is another Giamatti film and another literary adaptation, Barney's Version. Based on the celebrated work by Canadian author Mordechai Richler, it is a story of some breadth and humour.

Barney's Version

Giamatti is Barney Panofsky, a Canadian Jew who is recounting his life story to us in flashbacks as his mind falters in old age. It begins as a young man in Rome in the '70s where he hangs out with a loose group of arty intellectual friends while he works as a salesman. We see his doomed first marriage to the mentally unstable Clara, his return to Montreal to become a low rent TV producer and his equally unstable second marriage to the bitchy princess referred to only as The Second Wife and played ably by Minnie Driver. He has the misfortune of meeting and falling for the love of his life Miriam at his marriage ceremony. As he extricates himself and pursues Miriam, he is accused of the murder of his best friend who goes missing though there is no evidence of this. Throughout all this his endearing working class father Izzy, played by Dustin Hoffman stands by him and is always there to offer sound advice. As we see Barney in old age, his good humour and a life well lived carry the film through.

The dry humour of Richler's novel really shines through as the film takes a satirical look at Montreal's Jewish community. In Giamatti, they have the perfect actor to play Barney. With anyone else, Barney could come across as a bit of a depressive and Giamatti really drags the life of the character to the fore, something important in a biographical tale. Barney is passionate in his pursuit of Miriam and loves her to the very end, he enjoys a fine cigar and a drop of whiskey and is religious about the ups and downs of his favourite ice hockey team.

Barney Panofsky: ...and I'm just gonna keep talking here, 'cause I'm afraid that if I stop there's gonna be a pause or a break and you're gonna say 'It's getting late' or 'I should get going', and I'm not ready for that to happen. I don't want that to happen. Ever.  
 [they pause]  
 Miriam: There it was. The pause. 
 Barney Panofsky: Yeah.  
 Miriam: I'm still here.

The film is a love story and a life story and as Barney moves from the vitality of his youth to the complacency of middle age and ultimately his mental decline, the film becomes less humorous and more sentimental. This is not meant as a criticism however as it never wallows in it and yes when Barney's end comes, it is sad and a downbeat ending but ultimately the message comes through that Barney gave life his all and enjoyed himself.. This is a powerful lesson and a satisfying ending.

Miriam: We can be friends now, can't we?  

 Barney Panofsky: No. We can't.  

 Miriam: I'm here for you if you'll let me. We had a beautiful marriage, but it's over. I want you to be at peace with that.  

 Barney Panofsky: Have I ever given up when it comes to you?  

 Miriam: Never.  

 Barney Panofsky: So what makes you think I would start now?

In the end, this is a very good film and a worthy adaptation. Giamatti dominates the picture and quite rightly won a Golden Globe for his performance. Dustin Hoffman deserves plaudits for his down to earth portrayal of Izzy. Funny, poignant and true, this is as good a story as you will see all year. Giamatti's performance is such that you can't but fall for him and care about the decisions he makes, genuinely hoping for the best. That is film-making.

Flick of The Day: Grosse Pointe Blank

Comedy is a matter of taste. What one person finds funny may seem pointlessly banal to another. Believe it or not there are people who don't find Airplane! or The Big Lebowski funny. Black comedy is even more of an acquired taste, mocking and seeking humour in taboo subjects, often to do with death. Today's film, Grosse Pointe Blank is a fine example of this. 

Grosse Pointe Blank

Martin Blank, played by the ever watchable John Cusack, is a professional assassin who needs to get out of town for a few days and conveniently receives an invitation to his 10 year high school reunion and chooses to head home for the weekend for the first time since prom night. Meeting his old friends and family and the girlfriend who he stood up all those years ago, Martin finds the home fires are not still burning with his family home now a mini mall but that he still has feelings for the girl, Debi Newberry ably played by the unusually good Minnie Driver. Of course Martin's work intrudes into the suburban setting with often hilarious consequences as the reunion weekend progresses.

Despite the subject matter, the film is quite warm and light hearted throughout with a lot of fun to be had in meeting all of the old characters from school, something that has universal appeal. We can all relate to the assholes that we never wanted to see again after leaving school. Cusack gives a fine and very likeable performance as Blank. I would doubt there are many if any assassins with as much charm as Martin Blank. You can empathise with his position, coming home to find everything changed utterly and reaching out for the only thing that's still there, his old girlfriend.

The film has an excellent script with some great quotable lines with John Cusack getting the best of it. The team that put the script together would go on to work on Cusack's American adaptatio of Nick Hornby's High Fidelity.

Debi: I should have worn a skirt. 

Marty: I should have brought my gun. 

Debi: What was that? 

Martin: Should be fun!

The other are deserving of praise is the music, composed of a a fantastic collection of Indie music from the late '80s and early '90s which really helps to build the atmosphere and sets the background of the piece. Joe Strummer contributed a score which blends nicely with all of the classic '80's Indie pop and punk. It is rare for a film such as this for the music to play such an important role but it is in effect another character.

 With a fine supporting cast, including Dan Ackroyd as a rival assassin and Cusack film regulars Joan Cusack and Jeremy Piven, this is a dine addition to the genre and has many great comedic moments and while the ending isn't really up to scratch, there is enough to keep you involved. A fun diversion on an otherwise uneventful day, worth a look and a cut above similar fare.