Flick of The Day: Killer Joe

The last time American director William Friedkin had a critically acclaimed film, Reagan was in the White House. One of the defining talents of the 70's new wave, he made perhaps his best film with 1971's gritty crime drama The French Connection and followed up with The Excorcist. He made his first misstep with 1977's ill advised remake of Clouzot's The Wages of Fear bizarrely renamed Sorcerer. It was largely down hill from there with 1980's Cruising achieving legendary status only as the film which almost ruined Al Pacino's career. Today's flick of the day, Killer Joe, an adaptation of a play by Tracy Letts, marks the first career high point in many years.

Killer Joe

A desperately down at heel white trash drug dealer in Texas, Chris played by a surprisingly good Emile Hirsch, comes up with a plan to off his estranged mother to claim her $50k life insurance policy. Along with his delightfully stupid father Ansel, played by a brilliant Thomas Haden Church, he makes contact with Joe Cooper. Cooper played by Matthew McConaughey, is a Dallas cop with a nice sideline in contract killing. Joe's terms are simple, he needs $25k to remove Chris' mother from the picture. Unfortunately Chris and Ansel are short of cash and come to an agreement whereby the decidedly creepy Joe can date his sister Dottie. Of course as is the way with these things, once they let Joe into their lives, he cannot easily be gotten rid of. Dottie seems to exist in her own little world while Chris money problems quickly spiral out of control. A deeply twisted tale, the films meanders to its shocking denouement. You may never look at a piece of KFC again.

An adaptation of a play, the film betrays its source material in its reliance on dialogue heavy scenes but transcends this with some brilliant visual touches. From the opening scene, the film sets out on a bizarre twisted path where anything can happen. Packed with the kind of graphic violence and nudity associated with 70's exploitation cinema, this is an enjoyable trip.

This kind of Southern Gothic cinema relies on good acting not to seem too goofy and in this it delivers in spades. Thomas Haden Church gives his best performance since Sideways, as the amusingly dopey Ansel who avoids conflict in favour of zoning out in front of the television , beer in hand. Matthew McConaughey bucks the trend of an entire career by actually putting in a genuinely worthy performance. Perhaps if he can finally put his back catalogue of romantic comedy's, he can finally be taken seriously as a talented actor.He imbues the character of Joe with an indefinable malice which can strike out at any time.

Perhaps the most surprising element of the film is the dark black humour which runs through it. At the most grotesque moments, humour slips in and leavens proceedings. This comedy carries the film through to its twist filled ending. While not a film which will appeal to all, this is a welcome return to form for Friedkin, perhaps his best work for two decades. It's dark and funny and filled with some wonderfully out there characters. I enjoyed it for its sheer crassness perhaps you will too.

Flick of The Day: The Lincoln Lawyer

Once upon a time John Grisham was the king of the legal thriller, where every new book was snapped up by a studio as soon as it was released. The Firm, The Pelican Brief, The Client, The Rainmaker, the list goes on. However times change and Grisham has expanded his oeuvre away from pure legal drama. Step in Michael Connolly, the crime writer with a strong following for his Harry Bosch series with his first legal thriller, The Lincoln Lawyer, a twist filled tale and today's flick of the day.

The Lincoln Lawyer

Matthew McConaughey is Mickey Haller, the low rent lawyer of the title, so called because he conducts most of his business from the back of a Lincoln town car. He specialises in getting guilty men off for cash fees, in short he is as low rent as his clients. His newest client though is different. A wealthy spoiled brat played by Ryan Phillipe called Louis who has requested him by name. He is accused of brutally beating a young woman though protests his innocence. Mickey and his investigator begin to dig deeper into his story and the more they find out, the more they doubt his story. The case bares striking similarities to a murder which Mickey unsuccessfully defended a few years back and he now fears he helped send an innocent man to prison. Of course all is not as it seems and Mickey is forced to question whether his own client is trying to frame him.

McConaughey is pitch perfect as the charming lawyer with an air of sleaze. Haller is both a brilliantly tricky customer inside the courtroom and out of it. The scene where he completely outwits both the prosecutor and his own client is thoroughly entertaining.  There is a fine supporting cast to help carry the film along including the terminally underrated William H Macy as Mickey's investigator and Marisa Tomei in an underdeveloped role as Mickey's ex wife. There is also a blink and you'll miss it performance from Bryan Cranston.

Mick Haller: When do you retire, Lankford? 

Detective Lankford: When do I retire? 

Mick Haller: Yeah. 

Detective Lankford: Eighteen months. Why? 

Mick Haller: I wanna make sure I show up the next morning so I can kick your ass.

Ryan Phillipe makes the most of his role as the scheming Louis. He is a truly dislikeable character without any redeeming features.

 Films like this live or die by how clever the plot is. Thankfully, this is clever enough to keep you guessing till the end. Sure its nothing more then multiplex fluff but it is well crafted and entertaining fluff. Something so many modern films fail to achieve. Stylish and suspenseful it passes a few hours pleasantly.

Frank Levin: [looking out of top floor window] Your so vain. Nobody would care if you killed yourself. 

Mick Haller: It'd look cool. What do you think the last thing to go through your mind would be? 

Frank Levin: Your asshole. 

Mick Haller: Yeah.

All in all, a worthy addition to the genre and the kind of old school thriller based on a best seller that just doesn't get made too often these days. Why bother paying for the rights to a novel when you can just adapt a video game or television show from the 70s?