Showing posts with label dustin hoffman. Show all posts
Showing posts with label dustin hoffman. Show all posts

Monday, June 25, 2012

Flick of the Day: Runaway Jury

Adaptations of John Grisham novels have become something of a cottage industry over the years producing a slew of films of varying quality ranging from the excellent (The Firm, A Time to Kill) to the dull (The Chamber) to the downright ill advised (Christmas with the Kranks). Today's flick of the day is somewhere in the middle, possessing a fine cast and an engaging tale without setting the world alight.
Opening in a New Orleans office, a recently let go employee returns to commit a mass killing spree with an automatic weapon during which he kills a young father. This motivates his widow to launch a lawsuit against the gun manufacturer for not taking more care of who purchased their product. We fast forward to the beginning of the trial. The gun manufacturers have hired the legendary bagman Rankin Fitch to deliver a favourable verdict. Fitch is played by a menacing Gene Hackman in a fine turn. Opposing Fitch's machinations is the idealistic attorney (a Grisham trope if ever there was one) Wendell Rohr played by Dustin Hoffman. Into this face-off steps juror number 9, Nick Easter, a game store clerk played by the always charming John Cusack. It soon becomes apparent that Nick and his other half played by Rachel Weisz have for reasons which become apparent in the final reel, their own agenda for the trial regardless of what the two legal teams want. Together they begin to communicate with both Hackman and Hoffman, promising to swing the jury for the right price.
As a screenwriter it is surely impossible to please fans of any source material be it a novel or a play without being too slavish to it. A film has to stand on its own. In this regard, the film makes a major departure from the source novel by amending the heartless corporation to a gun manufacturer from a big tobacco firm. I can't fathom the reason behind it but it adds an additional layer of unreality to an already overburdened tale. At numerous points in the film, one is forced to suspend the nagging question in the back of your mind that perhaps this wouldn't really go like that.
For all that, it is a compelling tale, director Gary Fleder manages to ratchet up the tension as the trial wares on and avoids spending too much time on court room drama. Focusing on the goings on in the jury room is a smart move and it relies on good character actors for the jury. Thankfully this is the case with most of them faces you have seen before like Cliff Curtis, Bill Nunn and Gerry Bamman.
Perhaps the best reason for seeing a film that is only so-so is the chance to see Hoffman and Hackman face off on screen. The old masters share only one major scene together but it is an entertaining turn all the same. Hackman's Fitch is the polar opposite of the crusading Rohr and is so often the case, the bad guy gets all the best lines. 
Rankin Fitch: You think your average juror is King Solomon? No, he's a roofer with a mortgage. He wants to go home and sit in his Barcalounger and let the cable TV wash over him. And this man doesn't give a single, solitary droplet of shit about truth, justice or your American way. 
Whereas Rohr would prefer to win the trial based on the veracity of his arguments, Fitch wants victory at all cost and is prepared to go to any lengths to get it including buying the jury or coercing them through nefarious means.
Cusack's Nick on the other hand is a cipher through which the plot flows though it is entertaining to watch the way in which he charms his way into the hearts of each of his fellow jurors.  Without giving too much away, the twist in tale is his motivation for playing with the trial and it should be obvious enough before it lopes into view.
All in all, this is an entertaining trifle and nothing more. Like so much of Grisham's work it goes best with the throwaway nature of books you read on an airplane.The cast are fine throughout with Hoffman and Hackman making the best of their roles. There is just enough tension to keep you interested until the end. 


Wednesday, November 2, 2011

Flick of The Day: Barney's Version

Last week we reviewed Sideways starring Paul Giamatti, which was an adaptation of a 2004 novel by Rex Pickett. Today's flick of the day is another Giamatti film and another literary adaptation, Barney's Version. Based on the celebrated work by Canadian author Mordechai Richler, it is a story of some breadth and humour.
Giamatti is Barney Panofsky, a Canadian Jew who is recounting his life story to us in flashbacks as his mind falters in old age. It begins as a young man in Rome in the '70s where he hangs out with a loose group of arty intellectual friends while he works as a salesman. We see his doomed first marriage to the mentally unstable Clara, his return to Montreal to become a low rent TV producer and his equally unstable second marriage to the bitchy princess referred to only as The Second Wife and played ably by Minnie Driver. He has the misfortune of meeting and falling for the love of his life Miriam at his marriage ceremony. As he extricates himself and pursues Miriam, he is accused of the murder of his best friend who goes missing though there is no evidence of this. Throughout all this his endearing working class father Izzy, played by Dustin Hoffman stands by him and is always there to offer sound advice. As we see Barney in old age, his good humour and a life well lived carry the film through.
The dry humour of Richler's novel really shines through as the film takes a satirical look at Montreal's Jewish community. In Giamatti, they have the perfect actor to play Barney. With anyone else, Barney could come across as a bit of a depressive and Giamatti really drags the life of the character to the fore, something important in a biographical tale. Barney is passionate in his pursuit of Miriam and loves her to the very end, he enjoys a fine cigar and a drop of whiskey and is religious about the ups and downs of his favourite ice hockey team.


Barney Panofsky: ...and I'm just gonna keep talking here, 'cause I'm afraid that if I stop there's gonna be a pause or a break and you're gonna say 'It's getting late' or 'I should get going', and I'm not ready for that to happen. I don't want that to happen. Ever.  
 [they pause]  
 Miriam: There it was. The pause. 
 Barney Panofsky: Yeah.  
 Miriam: I'm still here.

The film is a love story and a life story and as Barney moves from the vitality of his youth to the complacency of middle age and ultimately his mental decline, the film becomes less humorous and more sentimental. This is not meant as a criticism however as it never wallows in it and yes when Barney's end comes, it is sad and a downbeat ending but ultimately the message comes through that Barney gave life his all and enjoyed himself.. This is a powerful lesson and a satisfying ending.

Miriam: We can be friends now, can't we?  
 Barney Panofsky: No. We can't.  
 Miriam: I'm here for you if you'll let me. We had a beautiful marriage, but it's over. I want you to be at peace with that.  
 Barney Panofsky: Have I ever given up when it comes to you?  
 Miriam: Never.  
 Barney Panofsky: So what makes you think I would start now?

In the end, this is a very good film and a worthy adaptation. Giamatti dominates the picture and quite rightly won a Golden Globe for his performance. Dustin Hoffman deserves plaudits for his down to earth portrayal of Izzy. Funny, poignant and true, this is as good a story as you will see all year. Giamatti's performance is such that you can't but fall for him and care about the decisions he makes, genuinely hoping for the best. That is film-making.